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http://hdl.handle.net/11375/16133
Title: | Radical Gestures: Subculture, Symptom and Skateboarding |
Authors: | Orpana, Simon |
Advisor: | O'Connor, Mary |
Department: | English and Cultural Studies |
Keywords: | subculture; cultural studies; skateboarding |
Publication Date: | Nov-2014 |
Abstract: | The numerous youth subcultures to emerge since the end of World War Two act as what I call “biopolitical cultural apparatuses” that help subjects navigate the discontinuity in values, labour, and material expectations between the Fordist and neoliberal formations. As such, subcultures play a socializing role, helping subjects adapt to an increasingly precarious and austere social sphere; but they also generate new forms of community, and new experiences of personal and collective agency that can contribute to significant social transformation. Responding to the contemporary body of “post-subcultural” studies, I combine Giorgio Agamben’s analysis of biopolitics and Slavoj Žižek’s treatment of the Lacanian symptom to frame a theory that can highlight the politically progressive elements of subculture, while at the same time acknowledging their complicity with elements of the cultural dominant. Complementing Dick Hebdige’s theory of the incorporation processes to which subcultures are subjected, I offer spatial-temporal incorporation as a predominant way in which subcultural difference is recuperated by patriarchal and capitalist structures. At the same time, the heterotopic spaces subcultures produce enable new solidarities and friendships to develop, and can offer important experiences of alterity within the fluid and individualized regulative structures of late capitalism. I investigate these dynamics through a focus on skateboarding as a subculture that is particularly representative of the kinds of control structures faced by contemporary, Western subjects. My dissertation concludes with a detailed case study of the struggles of skateboarders to maintain and preserve an aging skateboard park in Beasley, a downtown neighbourhood of Hamilton, Ontario. Hamilton’s project to re-brand itself as a post-industrial “hub” for the “creative economy” places the skateboarders in the position of having to manage their (sub)cultural capital in a new way, as developers attempt to gentrify the neighbourhood. |
URI: | http://hdl.handle.net/11375/16133 |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Description | Size | Format | |
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Orpana_RADICAL GESTURES_PhD Thesis.pdf | PhD Dissertation | 8.04 MB | Adobe PDF | View/Open |
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