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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/15939
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DC FieldValueLanguage
dc.contributor.advisorHyman, R.-
dc.contributor.authorDebenham, Diane Elizabeth-
dc.date.accessioned2014-09-25T18:43:02Z-
dc.date.available2014-09-25T18:43:02Z-
dc.date.issued1988-
dc.identifier.urihttp://hdl.handle.net/11375/15939-
dc.description.abstractUntil quite recently, native people in English-Canadian drama have been portrayed by non-native playwrights. Stereotypes such as the Indian maiden and the noble savage were the early result of this white perspective. In the liberal climate prevailing after 1950, non-native dramatists perceived the native as a doomed figure struggling to survive in an alien culture. This tragic but static view has gradually given way to a more positive depiction of a people who, although badly wounded, have nevertheless endured. This new perception owes a great deal to the work of native playwrights, who are finding their own voice and celebrating their own culture and traditions.en_US
dc.language.isoenen_US
dc.subjectNative peoplen_US
dc.subjectEngish- Canadian Dramaen_US
dc.titleNative People in English-Canadian Dramaen_US
dc.title.alternativeStruggle Against the Stereotype: Native People in English-Canadian Daamaen_US
dc.typeThesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreetypeThesisen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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Thesis3.75 MBAdobe PDFView/Open
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