Skip navigation
  • Home
  • Browse
    • Communities
      & Collections
    • Browse Items by:
    • Publication Date
    • Author
    • Title
    • Subject
    • Department
  • Sign on to:
    • My MacSphere
    • Receive email
      updates
    • Edit Profile


McMaster University Home Page
  1. MacSphere
  2. Departments and Schools
  3. Faculty of Humanities
  4. Department of Communication Studies & Media Arts
  5. Major Research Projects (MA in Communication and New Media)
Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/14394
Full metadata record
DC FieldValueLanguage
dc.contributor.authorRomeo, Marieen_US
dc.date.accessioned2014-06-18T18:10:00Z-
dc.date.available2014-06-18T18:10:00Z-
dc.date.created2011-11-01en_US
dc.date.issued2011en_US
dc.identifier.othercmst_grad_research/14en_US
dc.identifier.other1012en_US
dc.identifier.other2324781en_US
dc.identifier.urihttp://hdl.handle.net/11375/14394-
dc.description<p>A special thank you to Dr. Christine Quail for her guidance in the creation of this research</p>en_US
dc.description.abstract<p>Since its introduction to the country in 1950, Canadian television has faced numerous obstacles in its attempt to reflect the culture of Canadians through original programming. Various media scholars are quick to point to three identifiable causes for this particular failure. Firstly, they argue that it is impossible to represent Canadian culture because one identifiable culture does not exist due to the country’s emphasis on bilingualism and multiculturalism. Secondly, they argue that Canadian television is a failure due to the high level of regionalism inherent in the medium, particularly programs tendency to focus on the province of Ontario. And thirdly, Canadian television is viewed as a failure due to the notion that Canadians will always prefer American programming. In recent years, the concept of food television has gained substantial popularity; first leading to the creation of the US based Food Network, and then its Canadian counterpart, Food Network Canada. This article raises the question, <em>“To what extent do the programs on Food Network Canada undermine arguments of homogenization of Canadian culture on Canadian television?”,</em> ultimately arguing that Food Network Canada’s original Canadian programming, specifically there instructional programming, dispels these three main arguments presented by media scholars. Following a literature review discussing the issues media scholars present concerning Canadian television, this argument is proven firstly through an extensive discursive analysis of episodes of Food Network programs <em>Chuck’s Day Off, Chef at Home, Everyday Exotic, French Food at Home, Fresh with Anna Olson</em> and <em>Ricardo & Friends, </em>and secondly, through an in-depth analysis of program ratings.</p>en_US
dc.subjectCanadian televisionen_US
dc.subjectCanadian cultureen_US
dc.subjectFood Network Canadaen_US
dc.subjectfood televisionen_US
dc.subjectmulticulturalismen_US
dc.subjectbilingualismen_US
dc.subjectregionalismen_US
dc.subjectMass Communicationen_US
dc.subjectMass Communicationen_US
dc.titleDispelling the Arguments Surrounding Canadian Television Programming: An Analysis of Food Network Canadaen_US
dc.typemrp_paperen_US
Appears in Collections:Major Research Projects (MA in Communication and New Media)

Files in This Item:
File SizeFormat 
fulltext.pdf
Open Access
487.97 kBAdobe PDFView/Open
Show simple item record Statistics


Items in MacSphere are protected by copyright, with all rights reserved, unless otherwise indicated.

Sherman Centre for Digital Scholarship     McMaster University Libraries
©2022 McMaster University, 1280 Main Street West, Hamilton, Ontario L8S 4L8 | 905-525-9140 | Contact Us | Terms of Use & Privacy Policy | Feedback

Report Accessibility Issue