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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/13823
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dc.contributor.advisorPreston, Richarden_US
dc.contributor.authorFulford, Taylor Georgeen_US
dc.date.accessioned2014-06-18T17:05:22Z-
dc.date.available2014-06-18T17:05:22Z-
dc.date.created2013-12-20en_US
dc.date.issued1994-10en_US
dc.identifier.otheropendissertations/8653en_US
dc.identifier.other9728en_US
dc.identifier.other4939214en_US
dc.identifier.urihttp://hdl.handle.net/11375/13823-
dc.description.abstract<p>This dissertation is an ethnography of Mashkeko ('Swampy Cree') children's art. Specifically, the way in which Cree-speaking children in Kashechewan - a small isolated community on the west coast of James Bay - use drawings as a form of discourse is discussed. Using techniques developed for the structural analysis of myths, the content and form of 200 drawings made by ten Mashkeko children aged 6-12 years are compared and contrasted to show some general characteristics of Mashkeko children's art. It is hypothesized that these drawings function in a way that is analogous to speech and writing. The theoretical relevance of this hypothesis to some current debates about the structure of language is discussed.</p>en_US
dc.subjectAnthropologyen_US
dc.subjectAnthropologyen_US
dc.titleChildren's Drawings in a Mashkeko Cree Communityen_US
dc.typethesisen_US
dc.contributor.departmentAnthropologyen_US
dc.description.degreeDoctor of Philosophy (PhD)en_US
Appears in Collections:Open Access Dissertations and Theses

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