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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/12252
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dc.contributor.authorMcAllister, Fitzpatrick Michaelen_US
dc.date.accessioned2014-06-18T16:58:50Z-
dc.date.available2014-06-18T16:58:50Z-
dc.date.created2012-07-06en_US
dc.date.issued2002en_US
dc.identifier.otheropendissertations/7151en_US
dc.identifier.other8203en_US
dc.identifier.other3060405en_US
dc.identifier.urihttp://hdl.handle.net/11375/12252-
dc.description<p>[missing page 123]</p>en_US
dc.description.abstract<p>Landscape is a way of seeing. It is a social construction. Land is viewed, used and transformed by the humans who inhabit it. The different worldviews of people provided the basis for what Burlington Heights could and should be used for. Following the cycle of scarcity and abundance, the Mississauga people using Burlington Heights were egalitarian, stewards of the land, finding in the natural features around them -- a spiritual potency which defined their place on the landscape. Following the pattern of his merchant patrons, Richard Beasley built material prosperity as well as social and political influence, which he demonstrated by developing his property in picturesque style. Faced with the prospect of losing complete control of the Niagara Peninsula during the War of 1812, the British army occupied the Heights and exerted a tyrannical influence across a landscape that it considered as indefensible, devious and unhealthy.</p>en_US
dc.subjectHistoryen_US
dc.subjectHistoryen_US
dc.subjectHistoryen_US
dc.titleA Very Pretty Object: The Socially Constructed Landscape of Burlington Heights 1780-1815en_US
dc.typethesisen_US
dc.contributor.departmentHistoryen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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