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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/12180
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dc.contributor.advisorMorton, Richarden_US
dc.contributor.authorDoyle, Marie Sherryen_US
dc.date.accessioned2014-06-18T16:58:36Z-
dc.date.available2014-06-18T16:58:36Z-
dc.date.created2012-06-20en_US
dc.date.issued1993-09en_US
dc.identifier.otheropendissertations/7086en_US
dc.identifier.other8138en_US
dc.identifier.other3009043en_US
dc.identifier.urihttp://hdl.handle.net/11375/12180-
dc.description.abstract<p>This thesis examines three poems, all of which challenged the prevailing tendency to idealize rural life in eighteenth-century poetry. Stephen Duck's The Thresher's Labour offers an account of rural life from the perspective of a thresher, and the "speaker" uses his unique perspective to demolish the pastoral myth that rural life was a life of ease and leisure. Oliver Goldsmith's The deserted Village contrasts an idealized version of the past with the intolerable present in order to emphasis the transformed nature of country life, as well as to critique the forces which caused the transformation. His gloomy account of contemporary village life challenges the deeply-rooted tendency to envision the countryside as an immutable retreat from urban corruption. George Crabbe's The Village attacks the pastoral tradition and the tendency to sentimentalize the plight of the poor by offering a harsh, unsentimental account of village life. Together these three poems constitute versions of eighteenth-century "anti-pastoral".</p>en_US
dc.subjectEnglishen_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.title"Weary of the Pipe of Tityrus": Challenges to the Pastoral Ideal in Three Eighteenth-Century Poemsen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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