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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11707
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dc.contributor.advisorDunbabin, K.M.D.en_US
dc.contributor.authorBart, Annaen_US
dc.date.accessioned2014-06-18T16:56:09Z-
dc.date.available2014-06-18T16:56:09Z-
dc.date.created2011-12-19en_US
dc.date.issued2001-08en_US
dc.identifier.otheropendissertations/6657en_US
dc.identifier.other7668en_US
dc.identifier.other2414716en_US
dc.identifier.urihttp://hdl.handle.net/11375/11707-
dc.description.abstract<p>The study of late Etruscan funerary urns has fascinated scholars for over a century. This topic has generated a large corpus of works, but much research remains to be done to better understand the meaning and place of these urns in Etruscan society. This thesis will examine the iconographic development of one motif, specifically those themes that employ a central quadriga. The study of the development of this motif, since it was adapted to mythological, exclusively funerary, and civic themes, is valuable because it reveals the artistic processes that Etruscan artisans may have employed when selecting and executing their works of art. An examination of the possible significance of each theme, furthermore, reveals that the selection of the individual themes, is, to some extent, influenced by the larger forces at play in the Mediterranean world between the third and first centuries BC. Consequently, a detailed iconographic analysis of this motif, and its changing role on the urns, can offer insight not only into the changing styles and tastes, but also into the deeper beliefs and mentalities of the society that produced them.</p>en_US
dc.subjectClassicsen_US
dc.subjectClassicsen_US
dc.titleTHE ICONOGRAPHIC DEVELOPMENT OF QUADRIGA SCENES ON LATE ETRUSCAN FUNERARY URNSen_US
dc.typethesisen_US
dc.contributor.departmentClassicsen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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