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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11661
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DC FieldValueLanguage
dc.contributor.advisorRapoport, Paulen_US
dc.contributor.authorShrubb, Hilaryen_US
dc.date.accessioned2014-06-18T16:55:54Z-
dc.date.available2014-06-18T16:55:54Z-
dc.date.created2011-12-19en_US
dc.date.issued1996en_US
dc.identifier.otheropendissertations/6614en_US
dc.identifier.other7663en_US
dc.identifier.other2414659en_US
dc.identifier.urihttp://hdl.handle.net/11375/11661-
dc.description.abstract<p>This portfolio is divided into four sections:</p> <p>1. Introductory Essay This essay is an examination of reviewers' critical function and responsibility not only to the readers, but also to the artist, and the art form they are writing about. It is a personal account of the processes 1 adhered to in writing the interviews and reviews that follow, but from the perspective of an outsider.</p> <p>2. Interviews with Critics and Artists</p> <p>This section contains interviews with three critics currently writing reviews for Canadian newspapers, concerning their approaches to reviewing, particularly the difference in their approach to reviewing live concerts and studio recordings. In addition, to provide context for the reviewing process, there are interviews with two Canadian pianists regarding their opinions toward performing live and recording in a studio.</p> <p>3. Concert Reviews</p> <p>This section comprises original concert reviews, written during my two years in the Northern Hemisphere.</p> <p>4. CD Reviews</p> <p>This section comprises original CD reviews, written during my two years in the Northem Hemisphere.</p>en_US
dc.subjectMusicen_US
dc.subjectMusicen_US
dc.titleA Northern Hemisphere Musical Emprise: an Omnibus of Reviews and Interviewsen_US
dc.typethesisen_US
dc.contributor.departmentMusicen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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