PRIMA LA MUSlCA?: A CRITICAL PORTFOLIO

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11658

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DC Field	Value	Language
dc.contributor.advisor	Rapoport, Paul	en_US
dc.contributor.author	Syer, Rae Katherine	en_US
dc.date.accessioned	2014-06-18T16:55:53Z	-
dc.date.available	2014-06-18T16:55:53Z	-
dc.date.created	2011-12-19	en_US
dc.date.issued	1994	en_US
dc.identifier.other	opendissertations/6611	en_US
dc.identifier.other	7660	en_US
dc.identifier.other	2414618	en_US
dc.identifier.uri	http://hdl.handle.net/11375/11658	-
dc.description.abstract	<p>This portfolio contains documented interviews, reviews, profiles and programme notes written during an internship in music criticism. The internship was undertaken primarily in Europe, but also in North America. A specific focus on opera criticism has been a primary objective.</p> <p>Section I contains an introduction, which offers an overview of the critical internship project, its organization and execution. A subsequent essay explores my perspectives on opera criticism, as developed throughout the internship. Section IT comprises a series of interviews which were conducted during the internship period in Europe. Sections III and IV contain music criticism written between September 1992 and March 1994.</p>	en_US
dc.subject	Music	en_US
dc.subject	Music	en_US
dc.title	PRIMA LA MUSlCA?: A CRITICAL PORTFOLIO	en_US
dc.type	thesis	en_US
dc.contributor.department	Music Criticism	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

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