Facets of Practical Music Criticism

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11643

Full metadata record

DC Field	Value	Language
dc.contributor.advisor	Rapoport, Paul	en_US
dc.contributor.author	Schmidt, Elaine	en_US
dc.date.accessioned	2014-06-18T16:55:45Z	-
dc.date.available	2014-06-18T16:55:45Z	-
dc.date.created	2011-12-16	en_US
dc.date.issued	1993	en_US
dc.identifier.other	opendissertations/6597	en_US
dc.identifier.other	7642	en_US
dc.identifier.other	2410003	en_US
dc.identifier.uri	http://hdl.handle.net/11375/11643	-
dc.description.abstract	<p>This document contains a collection of articles, reviews, profiles and programme notes written during an internship in music criticism. The diversity of these pieces reflects the varied nature of the terms music critic and music criticism, and the many roles a critic must play in writing for different audiences and numerous venues. The introduction to this portfolio outlines the details of my internship and discusses my perspective and goals as a critic. The sections I - V contain pieces which have been published by The Hamilton Spectator and Opera Canada, as well as two pieces which have been submitted for publication in the Spectator and Current Musicology. Section VI contains programme notes written for the McMaster University Celebrity Series and for Symphony Hamilton.</p>	en_US
dc.subject	Music	en_US
dc.subject	Music	en_US
dc.title	Facets of Practical Music Criticism	en_US
dc.type	thesis	en_US
dc.contributor.department	Music Criticism	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

Files in This Item:

File	Size	Format
fulltext.pdf Open Access	70.27 MB	Adobe PDF	View/Open