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http://hdl.handle.net/11375/11142
Full metadata record
DC Field | Value | Language |
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dc.contributor.advisor | Adamson, J. | en_US |
dc.contributor.author | Zimmerman, Ian | en_US |
dc.date.accessioned | 2014-06-18T16:53:44Z | - |
dc.date.available | 2014-06-18T16:53:44Z | - |
dc.date.created | 2011-09-17 | en_US |
dc.date.issued | 1988-09 | en_US |
dc.identifier.other | opendissertations/6133 | en_US |
dc.identifier.other | 7198 | en_US |
dc.identifier.other | 2243613 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/11142 | - |
dc.description.abstract | <p>This thesis is concerned with Robert Coover's A Night at the Movies as an exploration of the construction of fictions in contemporary society through the intersection of writing and cinema, reader and spectator. The role of memory in the retention of these constructions is discussed in the interest of seeing how particular translations of filmic codes into writing operate, and what might be the effect of these translations.</p> | en_US |
dc.subject | English Language and Literature | en_US |
dc.subject | English Language and Literature | en_US |
dc.title | "All of this is surrounded by darkness": A Night at the Movies | en_US |
dc.type | thesis | en_US |
dc.contributor.department | English | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 2.46 MB | Adobe PDF | View/Open |
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