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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/11080
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dc.contributor.advisorSilcox, Maryen_US
dc.contributor.authorSpring, Lynn Nancyen_US
dc.date.accessioned2014-06-18T16:53:32Z-
dc.date.available2014-06-18T16:53:32Z-
dc.date.created2011-08-29en_US
dc.date.issued1990-09en_US
dc.identifier.otheropendissertations/6077en_US
dc.identifier.other7108en_US
dc.identifier.other2202062en_US
dc.identifier.urihttp://hdl.handle.net/11375/11080-
dc.description.abstract<p>This thesis examines Michael Drayton's Endimion and Phoebe as a work that forces its reader to focus on its female subject: the Moon-goddess. Although critics have been fascinated with the experience of Endimion, Drayton's poem is actually constructed around Phoebe. The first chapter of the thesis explores the Neoplatonism in the poem, particularly as it leads to the paradox of Drayton's mutable goddess; Phoebe contains within her both unity and multiplicity. The second chapter discusses the further complexities of Phoebe by examining the unfolding of her character through the poem. When we consider the implications of moon mythology we will find the tension between Phoebe's passivity and her power of particular importance. Drayton's Moon-goddess, "the onely Mistres of the Night," is no mere accessory to Endimion and Phoebe but instead pervades the poem so thoroughly that we cannot dispute her status as the poem's nucleus.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleDrayton's Moon-Goddess in Endimion and Phoebeen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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