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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10980
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dc.contributor.advisorFerns, Johnen_US
dc.contributor.authorBin, Matthewen_US
dc.date.accessioned2014-06-18T16:53:07Z-
dc.date.available2014-06-18T16:53:07Z-
dc.date.created2011-08-23en_US
dc.date.issued1997-10en_US
dc.identifier.otheropendissertations/5986en_US
dc.identifier.other7013en_US
dc.identifier.other2184644en_US
dc.identifier.urihttp://hdl.handle.net/11375/10980-
dc.description.abstract<p>Arnold Bennett is best known for the realistic description in his work; few critics examine his success as a technician, and the general opinion of Bennett has been formed by essays written by famous critics who were unable to see what Bennett had achieved in his work. This thesis will show how Bennett's novels progressed from a tragic method in <em>Anna of the Five Towns</em> (1902) to an entirely non-tragic method in the <em>Clayhanger</em> trilogy (1910-16). Bennett's novels show a progression away from a tragic method, and towards a method that emerges from Bennett's developing idea that a great novelist must possess a "Christ-like, all embracing compassion" (Journal, 15 October 1896). Compassion is the defining characteristic of the method of Bennett's serious novels in this period. This understanding of Bennett's novels not only accounts for the structure of the novels themselves, but also helps to illuminate the nature of Bennett's place in the Edwardian period and in English fiction as a whole.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.title"A Christ-Like, All-Embracing" Method: From Tragic to Compassionate in Selected Novels of Arnold Bennetten_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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