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http://hdl.handle.net/11375/10946
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DC Field | Value | Language |
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dc.contributor.advisor | Hartwell, Hugh | en_US |
dc.contributor.author | Walker, Robert David | en_US |
dc.date.accessioned | 2014-06-18T16:53:02Z | - |
dc.date.available | 2014-06-18T16:53:02Z | - |
dc.date.created | 2011-08-22 | en_US |
dc.date.issued | 1996-08 | en_US |
dc.identifier.other | opendissertations/5954 | en_US |
dc.identifier.other | 6985 | en_US |
dc.identifier.other | 2180908 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/10946 | - |
dc.description.abstract | <p>Several types of analysis have been applied to the music of Béla Bartók. This thesis provides a summary of the work of the major Bartók authors, along with a critical examination of their methods. The methods described are then applied to the second movement of Bartók's <em>Divertimento</em>, where their appropriateness is tested on a work for which little analysis has been published. After all of the procedures are applied to the movement in isolation, a synthesis of the various methods is postulated, and a comprehensive analysis is presented, combining the most effective facets of the techniques of the featured authors. A final section considers the usefulness of each of the methods for this work, as well as for general analysis of the work of Bartók.</p> | en_US |
dc.subject | Music | en_US |
dc.subject | Music | en_US |
dc.title | Bartók Analysis: A Critical Examination and Application | en_US |
dc.type | thesis | en_US |
dc.contributor.department | Music | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 6.7 MB | Adobe PDF | View/Open |
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