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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10883
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DC FieldValueLanguage
dc.contributor.advisorJohn, Brianen_US
dc.contributor.authorCopp, Richard Andrewen_US
dc.date.accessioned2014-06-18T16:52:51Z-
dc.date.available2014-06-18T16:52:51Z-
dc.date.created2011-08-17en_US
dc.date.issued1994-09en_US
dc.identifier.otheropendissertations/5898en_US
dc.identifier.other6922en_US
dc.identifier.other2167492en_US
dc.identifier.urihttp://hdl.handle.net/11375/10883-
dc.description.abstract<p>Alienation is the central predicament in the short fiction of Irish writer, John McGahern. On the whole, however, the stories do not represent and explore particular forms and origins of alienated consciousness. Rather, the stories emphasize the human struggle to find meaning in an inherently alien world. The disinterest McGahern's work displays in pursuing definitive answers, and hence techniques to overcome alienation, suggests that alienation is a constant aspect of the human condition. And this basic axiom is complemented by the inconclusive quality of his stories.</p> <p>Of greater concern in McGahern's short fiction is how alienation motivates the symbolic power of the imagination because to reflect, perceive and envision are the only means to mitigate estrangement. Even though alienation, ultimately, is inescapable, imagining and creating stories are life-giving activities which sympathetically and patiently reveal, from a limited glimmer of light, 'natural processes of living' in one's own life as well as others. McGahern's stories celebrate the human struggle to find meaning in the world.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleTHE MOVING IMAGE IN JOHN McGAHERN'S SHORT STORIESen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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