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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10644
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dc.contributor.advisorShinohara, K.en_US
dc.contributor.authorLachman, Henry Charlesen_US
dc.date.accessioned2014-06-18T16:52:05Z-
dc.date.available2014-06-18T16:52:05Z-
dc.date.created2011-08-03en_US
dc.date.issued1973-04en_US
dc.identifier.otheropendissertations/5676en_US
dc.identifier.other6700en_US
dc.identifier.other2130122en_US
dc.identifier.urihttp://hdl.handle.net/11375/10644-
dc.description.abstract<p>The Ch'an Master Shen-hsiu was a pivotal figure in the development of Ch'an Buddhism in China. Traditionally, he has been cast as a staunch defender of "gradual enlightenment", in contradistinction to his rival and surpasser, Hui-neng, who espoused the "sudden doctrine".</p> <p>This thesis re-examines the above portrayal of Shenhsiu as a "Patriarch manqué " in light of several doctrinal and biographical documents, heretofore untranslated. We conclude, on the basis of this examination, that Shen-hsiu has indeed been mis-represented in traditional accounts; however, it is our further contention that this portrait itself---when viewed as a "negative paradigm" --- serves to underscore the centrality of the enlightenment experience.</p>en_US
dc.subjectReligionen_US
dc.subjectReligionen_US
dc.titleThe Ch'an Master Shen-hsiu (+606? +706): Three Literary Portraits of a Patriarch Manquéen_US
dc.typethesisen_US
dc.contributor.departmentReligious Sciencesen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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