Becoming-Artwork

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10624

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DC Field	Value	Language
dc.contributor.advisor	Enns, Diane	en_US
dc.contributor.author	Quinn, Ryan	en_US
dc.date.accessioned	2014-06-18T16:52:01Z	-
dc.date.available	2014-06-18T16:52:01Z	-
dc.date.created	2011-08-02	en_US
dc.date.issued	2008-12	en_US
dc.identifier.other	opendissertations/5658	en_US
dc.identifier.other	6679	en_US
dc.identifier.other	2127804	en_US
dc.identifier.uri	http://hdl.handle.net/11375/10624	-
dc.description.abstract	<p>Drawing primarily from the thought of Deleuze and Guattari and employing a certain kind of musical improvisation as its case study, this thesis exposes the phenomenon of <em>an artist without works</em> in order to show the incentive behind conceiving of a <em>becoming-artwork</em>. Having established the connections and divergences necessary to extend Deleuze and Guattari's concept becoming-minoritarian, we proceed to employ terms and standards of <em>life</em> and <em>risk</em> in order to establish how becoming-artwork is best served and most contributes to an affirmation of life. At the same time, this thesis shows how the production of finished works of art can contribute to, rather than compromise or curtail, a becoming-artwork.</p>	en_US
dc.subject	Philosophy	en_US
dc.subject	Philosophy	en_US
dc.title	Becoming-Artwork	en_US
dc.type	thesis	en_US
dc.contributor.department	Philosophy	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

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