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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10368
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dc.contributor.advisorBoda, Mark J.en_US
dc.contributor.authorBowick, James E.en_US
dc.date.accessioned2014-06-18T16:51:03Z-
dc.date.available2014-06-18T16:51:03Z-
dc.date.created2011-07-18en_US
dc.date.issued2010en_US
dc.identifier.otheropendissertations/5417en_US
dc.identifier.other6440en_US
dc.identifier.other2104453en_US
dc.identifier.urihttp://hdl.handle.net/11375/10368-
dc.description.abstract<p>The theories of Bakhtin are becoming more influential in studies. The concepts of chronotope and polyphony have proved particularly useful in exploring narrative works. This thesis applies these concepts to the Behistun inscription, Herodotus' The Histories, and Ezra-Nehemiah to bring a more nuanced understanding to the character of Darius revealed in each work. The speeches of Darius, within their respective chronotopes and double-voiced by the narrator, reveal subtle undei10nes of characterization. In the Behistun inscription, the chronotope and the use of the monologic voice of Darius reveal a character lifted above the historical world to epic levels. In Herodotus, double voicing along with chronotope reveals Darius, who is otherwise presented as a powerful and mighty king, as vulnerable and human. In Ezra-Nehemiah, chronotope is used to raise Darius above the other Persian kings, except Cyrus, while double-voicing exposes his claim to be the true king of Israel through the support of the temple.</p>en_US
dc.subjectReligionen_US
dc.subjectReligionen_US
dc.titleHearing Darius: A Bakhtinian Study of the Voice of Darius in the Behistun Inscription, Herodotus' The Histories, and Ezra-Nehemiahen_US
dc.typethesisen_US
dc.contributor.departmentDivinity Collegeen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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