The Theme of Victim in the Works of Eugène Ionesco

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10358

Full metadata record

DC Field	Value	Language
dc.contributor.advisor	Pocknell, B.S.	en_US
dc.contributor.author	Deverson, Myrna	en_US
dc.date.accessioned	2014-06-18T16:51:02Z	-
dc.date.available	2014-06-18T16:51:02Z	-
dc.date.created	2011-07-15	en_US
dc.date.issued	1978	en_US
dc.identifier.other	opendissertations/5405	en_US
dc.identifier.other	6427	en_US
dc.identifier.other	2102400	en_US
dc.identifier.uri	http://hdl.handle.net/11375/10358	-
dc.description.abstract	<p>The reality of man's existence became a great source of inspiration in Eugène Ionesco's theatre. The aim of this thesis is to examine Ionesco's ideas on the victimization of man in his universe. In our presentation of his concepts, examples will be shown from various works (La Leçon, La Cantatrice Chauve, Les Chaises, Jacques ou La Soumission, Rhinocéros, Victimes du Devoir, Amédeé ou Comment - s'en débarrasser, and Jeux de Massacre) in order to fully examine his particular vision of life. Such a study aims at bringing about a realization and understanding of the conditions man is exposed to in the universe.</p>	en_US
dc.subject	Romance Languages	en_US
dc.subject	Other Languages, Societies, and Cultures	en_US
dc.subject	Other Languages, Societies, and Cultures	en_US
dc.title	The Theme of Victim in the Works of Eugène Ionesco	en_US
dc.type	thesis	en_US
dc.contributor.department	Romance Languages	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

Files in This Item:

File	Size	Format
fulltext.pdf Open Access	4.31 MB	Adobe PDF	View/Open