Please use this identifier to cite or link to this item:
http://hdl.handle.net/11375/10316
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Pettigrew, J. S. | en_US |
dc.contributor.author | Miller, Arthur John | en_US |
dc.date.accessioned | 2014-06-18T16:50:48Z | - |
dc.date.available | 2014-06-18T16:50:48Z | - |
dc.date.created | 2011-07-14 | en_US |
dc.date.issued | 1969 | en_US |
dc.identifier.other | opendissertations/5366 | en_US |
dc.identifier.other | 6388 | en_US |
dc.identifier.other | 2100927 | en_US |
dc.identifier.uri | http://hdl.handle.net/11375/10316 | - |
dc.description.abstract | <p>This thesis examines the plays of Tennyson in the context of his entire canon. It attempts to show that the plays are important in determining what is truly Tennysonian by showing their place in Tennyson's fundamental concern with retreat and involvement, and in his search for an appropriate dramatic voice in his work.</p> | en_US |
dc.subject | English | en_US |
dc.subject | English Language and Literature | en_US |
dc.subject | English Language and Literature | en_US |
dc.title | Tennyson as a Dramatic Poet | en_US |
dc.type | thesis | en_US |
dc.contributor.department | English | en_US |
dc.description.degree | Master of Arts (MA) | en_US |
Appears in Collections: | Open Access Dissertations and Theses |
Files in This Item:
File | Size | Format | |
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fulltext.pdf | 4.22 MB | Adobe PDF | View/Open |
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