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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10201
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dc.contributor.advisorKnight, E. W.en_US
dc.contributor.authorHornosty, Cornelia C.en_US
dc.date.accessioned2014-06-18T16:50:19Z-
dc.date.available2014-06-18T16:50:19Z-
dc.date.created2011-07-11en_US
dc.date.issued1971-05en_US
dc.identifier.otheropendissertations/5257en_US
dc.identifier.other6280en_US
dc.identifier.other2095273en_US
dc.identifier.urihttp://hdl.handle.net/11375/10201-
dc.description.abstract<p>It is contended that individualism is a more basic theme with which to characterize the world view revealed in André Gide's life and art than paradox, contradiction, or any other concept denoting the struggle of opposing forces within one person. An examination of a variety of Gide's works shows that many of the writer's so-called antinomies lose their complex and vital appearance when regarded through the dimension of individualism. There is indeed a Gidian tension, but it stems from his stance against society, organized or patterned behavior and tradition, for all of these are interpreted as challenges or burdens to the individual and never as the avenue to self-realization.</p>en_US
dc.titleIndividualism: The Collapse of Paradox in Gideen_US
dc.typethesisen_US
dc.contributor.departmentRomance Languagesen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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