Molière's Theatre Examined Through a Study in Dramatic Structure

Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10176

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DC Field	Value	Language
dc.contributor.advisor	Warner, G. A.	en_US
dc.contributor.author	Drury, Katherine Jolaine	en_US
dc.date.accessioned	2014-06-18T16:50:13Z	-
dc.date.available	2014-06-18T16:50:13Z	-
dc.date.created	2011-07-11	en_US
dc.date.issued	1970	en_US
dc.identifier.other	opendissertations/5234	en_US
dc.identifier.other	6256	en_US
dc.identifier.other	2094341	en_US
dc.identifier.uri	http://hdl.handle.net/11375/10176	-
dc.description.abstract	<p>The purpose of this paper will he to analyze Molière's theatre in terms of the dramatic traditions that the author knew. The dramatic structure of select plays from the beginning, the middle, and the latter part of Molière's career will be examined. The analysis will reveal that the creation of the plays was partially inspired by the traditions that Molière, the actor knew, namely, French and Italian farce, and that the development from simple farces to a new kind of comic entertainment was the result of a complex inter-relation between various approaches and techniques of dramaturgy.</p>	en_US
dc.subject	French	en_US
dc.subject	French Linguistics	en_US
dc.subject	French Linguistics	en_US
dc.title	Molière's Theatre Examined Through a Study in Dramatic Structure	en_US
dc.type	thesis	en_US
dc.contributor.department	French	en_US
dc.description.degree	Master of Arts (MA)	en_US
Appears in Collections:	Open Access Dissertations and Theses

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