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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10142
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DC FieldValueLanguage
dc.contributor.advisorPocknell, B. S.en_US
dc.contributor.authorHubbard, Augustus Jamesen_US
dc.date.accessioned2014-06-18T16:50:03Z-
dc.date.available2014-06-18T16:50:03Z-
dc.date.created2011-07-07en_US
dc.date.issued1974en_US
dc.identifier.otheropendissertations/5202en_US
dc.identifier.other6223en_US
dc.identifier.other2091435en_US
dc.identifier.urihttp://hdl.handle.net/11375/10142-
dc.description.abstract<p>The purpose of this dissertation will be as follows: to analyse the theme o f revolt as it is presented in seven of Jean Anouilh's plays -- namely, La Sauvage, Eurydice, L'Hermine, Le Voyageur sans bagage, L'Alouette, Becket ou L'Honneur de Dieu, Antigone, and to assess the dramatic value and importance of this theme in Anouilh's theatre.</p>en_US
dc.subjectRomance Languagesen_US
dc.subjectOther Languages, Societies, and Culturesen_US
dc.subjectOther Languages, Societies, and Culturesen_US
dc.titleJean Anouilh And The Theatre Of Revolten_US
dc.typethesisen_US
dc.contributor.departmentRomance Languagesen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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