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Please use this identifier to cite or link to this item: http://hdl.handle.net/11375/10004
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DC FieldValueLanguage
dc.contributor.advisorMorton, R.E.en_US
dc.contributor.authorBuckroyd, Peteren_US
dc.date.accessioned2014-06-18T16:49:24Z-
dc.date.available2014-06-18T16:49:24Z-
dc.date.created2011-07-04en_US
dc.date.issued1970-10en_US
dc.identifier.otheropendissertations/5074en_US
dc.identifier.other6098en_US
dc.identifier.other2085790en_US
dc.identifier.urihttp://hdl.handle.net/11375/10004-
dc.description.abstract<p>The introductory chapter outlines Rowe's Biography and place in early eighteenth-century society, and makes brief reference to the whole of his literary output, Although not basically an innovator, Rowe heralds many of the changes to be made in serious drama during the early part of the century. The final two chapters analyse his two most neglected. plays in an attempt to appreciate his dramatic techniques and skill, Rowe's particular manipulation of strength and character, and unusually deft handling of variations of tempo and tension.</p>en_US
dc.subjectEnglish Language and Literatureen_US
dc.subjectEnglish Language and Literatureen_US
dc.titleNicholas Rowe and his Noglected Tragediesen_US
dc.typethesisen_US
dc.contributor.departmentEnglishen_US
dc.description.degreeMaster of Arts (MA)en_US
Appears in Collections:Open Access Dissertations and Theses

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